By the end of my project, I found myself lugging 40 litres of water back from Loch Lomond and
making castings of both of my legs. It all began when I first stood within the water of the Loch. My
legs occupied a space in the water and I was fascinated by the idea that I had taken something from
this body of water with the presence of my body. Having water as my material collaborator, my work
documents the flood of ideas I had in relation to said water and my connection with that space.